Sunday, 15 May 2016

Another re-fronted commercial wig.

I finished this one a while back, not sure why I never posted images.  This was a commercial synthetic lace front wig, but I hated the knotting at the hairline.  I removed the old stiff monofilament and added my own, better quality lace.

Despite being synthetic, I think this wig has an amazingly natural look.  This was achieved by using a lighter density and cross-ventilating the front.  I also used a lighter blend of hair along the front edge and at the temples, giving the wig a very natural sun-kissed look.

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Saturday, 7 November 2015

Before & After

I don't think I have ever shown this before, but I thought it would be interesting to show a recent project, first on the mannequin head before being cut and styled, and then after it has been attached on an actual scalp.

The photos are un-retouched, and no-one was harmed during the installation of this hairpiece! :P

This is a mix of 'Brazilian' remy hair (custom coloured) and high heat synthetic for the grey.  It is knotted using only single strands and single knots on Hugo Royer 2905 lace.  The knots have been lightly bleached to help them disappear against the scalp.  It was attached in the last two photos using Walker 3-mil lace front tape.

Saturday, 24 October 2015

Dark, re-fronted commercial wig

When I first started learning about ventilation, I bought a few inexpensive (and a couple of not-so-inexpensive) 'lace front' wigs, to see how they were made.

In hindsight, the commercial wigs really weren't much help – the knotting was not great for the most part, and all but one of them were knotted on stiff, scratchy monofilament mesh, not lace at all.

As a result I have a small collection of mediocre commercial wigs that are just sitting on a shelf in my office.  I decided, rather than let them go to waste, that I would re-front them using decent lace and finer knotting.

I just finished the first one.  The main body of the wig is good, and even the knotting wasn't terrible, it's just that the scratchy monofilament (aka 'German' lace) was very uncomfortable.  Also the shape of the hairline was very round and unnatural.

I have redone the entire lace section using only single (2-way) knotting, and I think the final result is much more natural.  This is high temperature synthetic hair, so it probably wouldn't work as a hair-replacement wig, but I think it would make an excellent theatre or opera wig or even a fun fashion wig.

As a side note, I have the wig on a cheap plastic mannequin head that I bought to help when I'm working on hairlines.  I find the eyes really disturbing, which is why I have it wearing sunglasses... :P

Friday, 2 October 2015

Thor No More

At long last I plucked up the courage to start the final cut-in on the blonde synthetic wig that I had made previously (see: Making Waves).  Its long, Thor-like locks have given way to a much more respectable pompadour style.

I worked on it most of the afternoon, and it's getting close to where I want it to be, although it still needs some finessing.  I have realized that I really need to take a barbering course.  My cutting skills are not good enough for this kind of work!

The synthetic hair also made my job a LOT more difficult!  The synthetic is great for longer styles, but requires a lot of work with the curling iron to make it look natural after it has been cut.

Anyway, here are a couple of photos of the cut-in so far:

Thursday, 24 September 2015

Cross-knotting (aka 2-way knotting) explained

A few people have asked me to explain the idea of cross-knotting (cross-ventilation / 2-way knotting).   The most common knot used in traditional wig-making (except in the Chinese factories) is the single, or flat, knot.   When used properly, the single knot gives the most natural appearance, especially if the hairs are knotted one-at-a-time.

However, single knots can tend to lie quite flat, without much volume.  To combat this, the wig factories use split knots.  These add a LOT of volume to the hair, but in my opinion they look horrible!  Also, I believe that split knots shed much more easily than single knots, which is why factories often resort to using double split knots everywhere except the hairline.  This just makes for an ugly end result, as far as I'm concerned, and the reason why a lot of the factory wigs still look 'wiggy' and fake.

Cross-knotting allows the use of single knots, but adds volume to the hair.  It also adds a more freestyle direction to the knotting so that it's not set so much in a single direction.

The idea is that every second row of hair is knotted in an alternating direction.  The best way to get the idea is to see it illustrated, so here's a diagram showing the very basic concept:

Cross-knotting / 2-way knotting

In this example, we want the general direction of the hair coming forward from the crown, towards the hairline.  So each row is knotted at slight, alternating angles to the final direction of the hair.

To add even more volume and lift to the hair, a technique called REVERSE cross knotting is used, in which the hair direction is knotted in the exact opposite direction from the final direction you require.  Using the same example, again with the final hair direction being forward from the crown towards the hairline, it is actually knotted backwards at alternating angles.

Reverse cross-knotting

When the hair is finally brushed into its final direction, it retains much more lift at the root, giving a very natural volume to the hair.

Wednesday, 23 September 2015

Vintage roller set

I have been trying for ages to find time to learn how to set and style the wigs I make.  I have several sitting on a shelf that are finished as far as the knotting goes, but I haven't known how to style them.

I finally watched a few YouTube videos on roller setting hair, and I tried it for the first time today on the light blonde Marilyn wig that I made ages ago.

The results are far from perfect, but not too bad for my first attempt...